Coming February 6, 2024 . . .
MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Pre-order at Barnes & Noble / Amazon / Books-A-Million / Bookshop
Coming February 6, 2024 . . . MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Pre-order at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
Late June brought news that the animated shows “The Simpsons,” “Family Guy,” “Big Mouth” and “Central Park” would recast characters of color who have been played by white actors.
A week later “Hamilton” dominated the cultural chatter on Independence Day weekend when Disney+ premiered the film version of the Broadway phenomenon.
In both situations performers inhabited characters of racial backgrounds that were different from their own, often referred to as “colorblind casting.” But one provoked the usual apologies and promises to do better while the other was celebrated anew as being a bold exemplar of diversity — though it ultimately presents a set of more complex concerns.