Hello all, so I have tried pretty hard to write some stuff about all the racial strife that America is going through thanks to the George Zimmerman ruling. Unfortunately, I have felt the need to just scrap almost all of it. I'm not really sure what can be said at this point.

I do know alot about black culture, however, and hopefully some of my Blood Is One material will help some readers, who may still feel alienated, to learn a few things. I think what I wrote about Pete Rock is connected to all this in at least an abstract sense. Take care.

In the first post in this series, I wrote about jazz and hip-hop here at Blood Is One, I wrote a lot about Miles Davis and John Coltrane. Before hip-hop devolved in to Soulja Boy, 50 Cent, Gucci Mane and trivial music like that, it was really the territory of guys like Pete Rock and DJ Premier. Their work with CL Smooth and Guru, respectively and in that order, translated directly from where jazz was at that point. Jazz had become all about improvisation - with a drum machine replacing the live drums and some poetry taking over for the vocals, Pete Rock and CL Smooth jumped right off from where Miles and Coltrane were already at on songs like "They Reminisce Over You" and "It's Not A Game."

The sample from "T.R.O.Y." is literally ripped from a bebop as hell track - Tom Scott & The California Dreamers' "Honeysuckle Breeze." There's actually about a thousand horn riffs in that song alone - Pete Rock showed exceptional skill to be able to take one of those, isolate and make his own music from it.

That sort of beat production is almost more like computer programming than what older folks may be used to in creating music - but it is a skill and art unto itself. It's really no wonder that, even though his health was declining and he was on his way away from this world, Miles Davis was willing to jump in to the world of hip-hop.

 I'll admit my ignorance, in preparing this piece, I actually listened to "It's Not A Game" by Pete Rock and CL Smooth for the very first time. I thought I was a hip-hop expert but apparently not. The unfortunate elements of the genre are present, of course, in this song, which was made twenty years ago - CL Smooth delves in to materialization when he is seen rubbing 20s and 100s up against his face and getting high on power when a Mack 11 is in his hands. In context from where folks like Rock and Smooth came from, it makes sense, when now wealthy rappers like Jay-Z romanticize guns in a country where elementary school kids have tasted the blunt of a Bushmaster rifle carried by a madman, it's a bit more sad and creepy.