MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
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MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
With the approaching SOTU speech by Obama I know some may wish to focus on specific policies said or not said. But what I will find interesting to watch during this fundamentally pure political theater event is the theoritical framing which builds with his discourse.
As I have said in previous blog, I don't believe that most Americans fully embrace a liberal perspective, with the qualifier that is based on my definition of liberal. This doesn't mean that there are policies and issues that one can find Americans falling as a majority into the liberal camp. But if one really talked to them as a liberal, one would loose them pretty quickly.
To make my point, I have thrown together some quotes from Judith Butler that she might say in a SOTU speech, especially she embraced the political theater facet of the event.
I have to find of cultural translation, modes of encounter, modes democratic participation, which actually work to foster understanding, without mandating unity. And it also means that when I take responsibility it is not a grandiose act, it's not a narcissistic act, in which I am responsible for the entirety of the world. No, I place myself in a vividly decentered way in a world with others, who are their own centers, and which I must understand to live socially, to live democratically, to live in a polity, is always to in some sense be displaced by the subject. It is partially what it is to live in a culturally diverse, democratic culture. But if one finds that the modes of communication and deliberation that allow for that to exist in its complexities, then I think we have the chance to take a kind of collective responsibility. But one cannot take collective responsibility alone. It is something taken with others.
Some people would say that we need a ground from which to act. We need a shared collective ground for collective action. I think we need to pursue the moments of degrounding, when we're standing in two different places at once; or we don't know exactly where we're standing; or when we've produced an aesthetic practice that shakes the ground. That's where resistance to recuperation happens. It's like a breaking through to a new set of paradigms.
What's needed is a dynamic and more diffuse conception of power, one which is committed to the difficulty of cultural translation as well as the need to rearticulate "universality" in non-imperialist directions. This is difficult work and it's no longer viable to seek recourse to simple and paralysing models of structural oppression. But even her, in opposing a dominant conception of power in feminism, I am still "in" or "of" feminism. And it's this paradox that has to be worked, for there can be no pure opposition to power, only a recrafting of its terms from resources invariably impure.
What is at stake is less a theory of cultural construction than a consideration of the scenography and topography of construction. This scenography is orchestrated by and as a matrix of power that remains disarticulated if we presume constructedness and materiality as necessarily oppositional notions.
Indeed it may be only by risking the incoherence of identity that connection is possible.
One point: Regardles if one disagrees or agrees with her viewpoint, what would be the most likely initial reaction is that what she said wasn't immediately clear. People would not look at the value of her words, but that she expressed herself in a way that required not only full attention, but also reflection. And the reaction would not be positive. Even though life and the problems we face are not straightforward nor presented to us with clarity, we expect our politicians to behave as if they are.
So how will Obama speak to this country and reflecting media which are both in effect a class of eight-graders?
Comments
What's needed is a dynamic and more diffuse conception of power, one which is committed to the difficulty of cultural translation
I believe that statement is unintelligible.Not because of the difficulty of her ideas, just because it's ungrammatical.. A conception can't be committed.to anything never mind to the difficulty of cultural translations.
I can guess at what Ms. Butler intends. Something like this:: It's not enough that we aim at becoming powerful , unless our powers enable us to deal with.....something she describes as cultural translations(.I happen not to know the exact meaning of that term but I accept that's my problem not hers. )
But I'm guessing because that sentence employs such incorrect grammar that full attention and reflection aren't enough, you also have to guess. Accepting your judgement-which I do- that she has valuable wisdom she wants to share , she's got to write correctly.. Or find an editor to help.
by Flavius on Tue, 01/25/2011 - 11:04pm
In order to understand what Butler is saying is to first understand that the "I"s that make up what you call the "we" are themselves mental constructs. In other words, the individual "I"s that you believe have the commitment are in effect emergent features of the cultural landscape. We want to believe that we are somehow autonomous and independent of our world, but this is not the case.
But her grammer is correct, by the way. The one which she refers to is the conception which we hold in our collective consciousness. Our collective conception of power needs to be "committed to the difficultu of cultural translation." In a sense your critique merely proves my point.
by Elusive Trope on Tue, 01/25/2011 - 11:27pm
I'm tempted to reply " whatever" but that would be rude. So let me try again.
Anyone can have an hermetic idea which is important even tho she doesn't tell any one else.But often the value of an idea depends upon it's being presented to others so it can affect what they do, or even just what they think..
The person who has the idea has the responsibility for trying to make that happen..
Everyday all of us are being presented with lots of things on the internet , in the media ,by other people. Whatever. We wouldn't be able to make breakfast unless we learned to screen these inputs so that we only think about the things that -we think- might be really useful to us. Of course we get that wrong a lot .Not because we think like eighth graders ( I know some pretty smart ones BTW) but because that's what we have to do.
What the person with the idea has to do -if she wants someone else to think about it-is to make it easy. Help them to recognize they should let it through the screen.
No doubt Butler puts tremendous mental effort into coming to certain conclusions.But unless she makes a similar effort on how she writes it down she's like the tree that falls in the forest.
Employing correct grammar would be a good start.
by Flavius on Wed, 01/26/2011 - 8:17am
I'm with Flavius that the grammar's a little off kilter.
Plus, it's language that's unfamiliar in context, more theater than political. But here's an attempt at translating these statements.
We kind of have two paths here:
First, we can go on puffing about diversity while actively stamping out actual diversity in any place it rears its head. Philosophically, we'll embrace ever more grandiose but ever less meaningful visions of human invdividuality and individual rights. We'll then invest our pauperized views about human potential in ever more dictatorial leaders who cater to our always-narrowing views of what we can dare to do. (A cycle of smug self-censorship makes a lot less work for the dictators.)
Or, we could genuinely accept the fact that we really are different from each other in a lot of important ways. We could be okay with that. We could deliberately choose less "leader-ish" leaders. We could quit ranting about building a "new cultural infrastructure" or a "shared prosperity" and just kind of look at how to work with the things and people who are already here. We could stop trying to be right all the time. The changes wouldn't be obvious. It would be weird, creepy, unnerving, and continually unresolved. Our conversations with each other will be way too honest to be smooth, but sometimes, we'll actually talk.
How did I do? (Not that I'm trying to be right about this.)
by erica20 on Wed, 01/26/2011 - 12:42am
I think your riff off what she said is very well put. The hardest thing sometimes is "just kind of look at how to work with the things and people who are already here." We can't go forward unless we are willing to be honest about the conditions we find ourselves in. Ever now and then I have found myself in some community interaction where that "real talk" happens and its pretty amazing. Where all the groupings and divisions we construct are there- race, class, gender, sexual orientation, religion/spirituality etc - but suddenly people seem to engaging in a more deeply authentic way. I think a lot of the times it has to do with the sense of threat - on the level of one's self identity - fades. Which is not to say it is all rainbows and hugs moments. Usually it comes as a result of disagreement. But something happens, a flip is switched, in that twist of humanity, through the openness to everything that makes us different, we find the commonality, the shared passion.
by Elusive Trope on Wed, 01/26/2011 - 7:10pm
I like when that flip gets switched too. ;^)
And I do think we need to make those little authentic moments happen politically, with the people who are already here. The challenge that progressives face is that a lot of the people who are already here, let's face it, are tea partiers. They're not going to find it easy to make those moments happen. Which means it will take a certain amount of work and openness (without seizing control of the discussion) on our part.
I think we need to replace all and any forms of name-calling (especially about religion) with really specific, convincing discussion of what we're really supposed to be doing as Americans. Not quite sure how to do that, but if we want those moments, we need to try. What we're doing right now isn't working....
I do know that it doesn't have anything to do with tone.
by erica20 on Thu, 01/27/2011 - 12:05am
I'm afraid I didn't much care for the "eighth grader" comment at the end. It sort of cheapened the point (or at least what I thought was the point.)
by erica20 on Wed, 01/26/2011 - 12:50am
Turns out he chose a deliberately non-theatrical speech. Actually boring, mho. Probably purposely boring (although I must say that I never understood the "great orator" label being applied to him)
I agreed with this comment over at Yglesias, except the part about where he says he was at his strongest. I don't think that part was strong either:
by artappraiser on Wed, 01/26/2011 - 6:28pm
It was a different kind of theater, one designed not to thrill or excite. There was a moment here and there where he threw in something daring, but that would be quickly swallowed by the next stretch of vanilla discourse.
I think Obama was looking ahead to the battle between him and the Repubs over spending. He was setting up the frame for that battle - hence the competitiveness and education angle. I wasn't meant to inspire as much as take that ground ahead of the clash. If he is successful then when the Republicans come knocking for bigger cuts, the public will see it as hurting the country, hurting our "competitiveness," keeping us off the path to prosperity.
by Elusive Trope on Wed, 01/26/2011 - 6:59pm
Yeah, every time an idea started to happen he ran the other way. I hope he had a strategy.
by erica20 on Thu, 01/27/2011 - 12:13am