The Bishop and the Butterfly: Murder, Politics, and the End of the Jazz Age

Artist Betye Saar been ignored a long time, now getting her due

She's now 92, started working in assemblage in the late 60's, influenced by Joseph Cornell's assemblage work and Watts Tower...

An exhibition of Betye Saar’s washboard assemblages – an Apollo art diary pick – closes in New York next Monday https://t.co/iUFaULVXsL

— Apollo Magazine (@Apollo_magazine) May 21, 2019

Sometimes all the revisionism going on in the history of the arts is a good thing, like here.

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