THE BISHOP AND THE BUTTERFLY
MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Layered with ethical snares and ideological paradoxes, “Judas and the Black Messiah” is best understood as a political tragedy, not a crime thriller, @aoscott writes. https://t.co/uHaIoxhZ8z — New York Times Arts (@nytimesarts) February 13, 2021
Layered with ethical snares and ideological paradoxes, “Judas and the Black Messiah” is best understood as a political tragedy, not a crime thriller, @aoscott writes. https://t.co/uHaIoxhZ8z
another elitist rave:
LaKeith Stanfield, who plays FBI informant William O'Neal, has become one of the most beguiling presences in American cinema https://t.co/y2wMrglCzz — The Economist (@EconCulture) February 17, 2021
LaKeith Stanfield, who plays FBI informant William O'Neal, has become one of the most beguiling presences in American cinema https://t.co/y2wMrglCzz
Comments
another elitist rave:
by artappraiser on Wed, 02/17/2021 - 3:18am