MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Putin doesn’t want the nation to address its guilt and ignorance. So we started a civic movement that humanises the victims
By Sergei Parkhomenko @ TheGuardian.com, March 7
Earlier this year the Russian ministry of culture banned the satirical film The Death of Stalin, supposedly because it contained “information whose dissemination is prohibited by law”. On Russian-language social media, the withdrawal of the film’s screening licence was met with widespread laughter and scorn: what sort of secrets could this movie possibly have disclosed? Could it be that Stalin is indeed dead? – so went the irony.
It looked ridiculous. But back in December, there had been an ominous precursor: Alexander Bortnikov, the head of Russia’s FSB intelligence services, told the Rossiyskaya Gazeta government newspaper that Stalin-era repressions had been justified. He mentioned the need to counter Trotsky’s networks, and plots that had “ties with foreign secret services”. He also claimed that “mass-scale political repression” had ended by 1938 – a blatant rewriting of history.
As Vladimir Putin prepares for re-election on 18 March, Russia’s Soviet past has become a constant object of manipulation by a regime that is for ever sending out mixed messages [.....]