For me, one of the more interesting tracks of the Aspen Ideas Festival is the series of conversations about education. Aspen is the natural habitat of America’s overconfident plutonomy: the kind of people who are convinced that since they have been successful themselves, they are therefore qualified — more qualified than education professionals, in fact — to diagnose problems and prescribe solutions. The ultimate example of this in recent weeks was the firing of Teresa Sullivan as president of the University of Virginia, by rich trustees who had no substantive beef with her at all. Instead, they just didn’t like her reluctance to sign on to various inchoate strategies, which sound great in a mass-market leadership book but which are unlikely to be particularly helpful in the context of a venerable educational institution.
These people have all read their Steve Brill, and have watched (or even funded) Waiting for Superman. They’re generally convinced that bad teachers are The Problem, and seem to think that that reforming the nation’s education system is a task somehow akin to akin to remaking General Electric. Measure everything, work out who’s good and who’s bad, and fire the underperformers: half of the problem is solved right there. Then, look at the great teachers, the inspirational ones, and the ed-tech innovators. If America’s remaining teachers just take a leaf out of their books, and start doing the things that work really well, that’s the other half of the problem addressed.
This year, however, the tone of the discussion was different — not least because the American Federation of Teachers appeared on the list of corporate underwriters, alongside the likes of Ernst & Young, Mercedes Benz, and Pepsico. (And Thomson Reuters, too.) The AFT is all too often considered to be some kind of reactionary force of darkness, interested only in ensuring that all teachers, no matter how bad, have jobs for life. But with the AFT literally setting the agenda at Aspen, that changed in constructive ways.
Education is horribly complex, but I think it’s still possible to put together a stylized model of the main forces at play. The dramatis personae would look something like this: