Frank McCourt died on Sunday. Walter Cronkite died on Friday. Molly
Ivins died more than two years ago. As near as I can tell, none of them
had much in common with the other, but yesterday I couldn't stop
thinking about all three of them.
It started when Walter died and the tributes began. Clips of Walter's
greatest moments were everywhere, his deep Midwestern voice--soothing and comforting,
authentic and sure--reminding
me that once there were straight, honest chroniclers out there
reporting the news in ways that we could understand and then judge for
ourselves the truths presented.
In the PBS tribute to Cronkite,
a repeat of a biography broadcast several years before, Molly Ivins was
seen commenting about his influence on the country. I don't remember
what she said, but I bring this up only because both she and Walter
were fresh on my mind when I heard the news that Frank McCourt had died
on Sunday.
All
three were fascinating and sure of themselves and fully aware of the
impact they had on the rest of us, but I could say that about a lot of
people--even people I don't like at all.
All three of them were unlikely "stars", but they made their marks indelibly, unforgettably.
All
three spoke to me in radically different ways, but throughout the years
all three voices have stayed with me. Whenever I thought of each of
them, it was as if I had known them personally. It has to do, I think,
with their fearless honesty, with their refusal to toady or pander,
with their ability to communicate with such clarity I couldn't help but
sit up and pay attention.
But as I thought about each of them, I
also saw them in entirely different ways. I loved watching and
listening to Walter. Again--soothing, straight, strong, full of
emotion--but as much as I had looked forward to reading his
autobiography, "A Reporter's Life", I couldn't get through it. Without
that steady, forceful voice I found his words oddly and disappointingly
just words .
Molly
Ivins could write like the dickens but I admit that more often than not
I had a hard time watching her. Her movements were too staged, her
Buckley-like, slack-jawed pauses too distracting. I thought I needed
her words in black and white in order to appreciate the full measure of
them . Then I found
the speech she gave
at Tulane University in April, 2004. It is over an hour long, but it's
one of the best hours I've ever spent with someone in the News
business. Watching it again, I miss her more than ever. (Okay, looking
back, it's the unscripted interviews that bother me--her speeches are
her writings. She wrote them. All is well.)
But Frank McCourt could do both. He could write and he could talk and in either situation he was as
comfortable to be around as your lovable, funny Uncle Francis. When
"Angela's Ashes"
was published in 1996 it became an overnight sensation and McCourt went
from being an obscure, unknown teacher to being the delight of
interviewers everywhere. He handled himself masterfully and even the
people who hadn't read his book couldn't help but stop and watch. A
writer who can also speak off the cuff is rare. (Of course it helps if
you're either Irish or Southern or Bill Maher.)
We need people
like Cronkite. He made us feel safe. We could count on him to be Uncle
Walter, no matter what. I can't think of a replacement right now, and I
want to--badly.
We need people like Ivins. She could cut through
the crap and do it so wittily even the PAs* she skewered couldn't help
but admire her. Who is out there to take her place?
(*Pompous Asses)
We
need people like McCourt to make us understand the paralyzing shame of
poverty and the powerlessness of the children of the poor. We need to
allow our hearts to be subject to breakage in order to understand that
we have the passion and the power to make lives better.
The one
element I left out of this is laughter. Both Ivins and McCourt are
laugh-out-loud funny. (Walter not so much) When I finished reading
"Angela's Ashes" I had laughed and cried and laughed and cried so much
I felt as if the book was an immediate danger to my health. It took
years before I could open it again.
But the beauty of the system
is that when I thought I could open it again, it was right there on the
shelf, waiting for me. Nothing was lost. Molly's books are on those
shelves, too. And all I have to do is Google or YouTube Walter's name
and in a quick flash he'll be there.
Because, lucky for us, that's the way it is.
Ramona
(Cross-posted at Ramona's Voices
here)