On the strength of Mary Ann Johanson's 4-star review of Christopher Nolan's The Dark Knight Rises in the Monterey Weekly, http://www.montereycountyweekly.com/news/2012/jul/19/dark-knight-rises/, I did something for the first time since the releases of Gran Torino and Mystic River, I bought a ticket to see a non-arthouse film. Given Johanson's expansive rave, I was expecting not only a cinematographic tour-de-force of but also scathing social commentary decrying the overlordship of New York, er Gotham, City by financial robber barons.
Instead, I suffered through a bombastic, repetitive, over-long, and occasionally incoherent fascist fantasy. I have not seen the first two Dark Knights, so at least some of my confusion may be due to unfamiliarity with details in the previous films. To be fair, I'll concentrate here on my problems with Dark Knight Rises that could not result from ignorance of its predecessors and conclude with a critique of its retrograde politics.