MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
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MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
[Ross Douthat] WHEN I think about the sins of Joe Paterno, and the ignominious ending of his long and famous career, I think about Darío Castrillón Hoyos.
Castrillón is a Colombian, born in Medellín, who became a Catholic priest and then a bishop during the agony of his country’s drug-fueled civil wars. In Colombia, he was a remarkable figure: a “rustic man with the profile of an eagle,” as Gabriel García Márquez described him, who left his episcopal residence at night to feed slum children, mediated between guerrillas and death squads and reputedly made his way to Pablo Escobar’s house disguised as a milkman to demand that the drug kingpin confess his sins.
But that isn’t how the world thinks of him today. In the 1990s, Castrillón was elevated to the College of Cardinals and placed in charge of the Vatican’s Congregation for the Clergy, where he came to embody the culture of denial that characterized Rome’s initial response to the sex abuse crisis. Castrillón dismissed the scandal as just “an American problem,” he defended the church’s approach to priestly pedophilia long after it had been revealed as pitifully inadequate, and in 2001 he even praised a French bishop for refusing to denounce an abusive priest to the civil authorities.
How did the man who displayed so much moral courage in Colombia become the cardinal who was so morally culpable in Rome? In the same way, perhaps, that college football’s most admirable coach — a mentor to generations of young men, a pillar of his Pennsylvania community — could end up effectively washing his hands of the rape of a young boy.