MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop
MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
[John Michael Greer] In a post last year, I discussed Adolf Hitler, whose career is among the best documented examples both of the power and of the pitfalls of political thaumaturgy. [Thaumaturgy is wonderworking - a sort of magic] Hitler’s meteoric rise to power and the extraordinary control he achieved over the imagination of the German people are a remarkable example of thaumaturgy at work, and readers interested in figuring out how political thaumaturgy functions could do worse than study the Nazi regime’s systematic transformation of an entire nation into ritual theater hammering on a handful of primal biological drives. The result of that effort is just as telling; the process of convincing Germany that he was invincible convinced Hitler of the same thing, and he proceeded to destroy himself and his regime in a crescendo of blunders that all followed from his inability to imagine that he could be mistaken.
For an example much closer to home, consider the way that the privileged classes in contemporary America by and large support policies that, in exchange for absurdly huge short term gains, are sawing away at the basis of their wealth and privilege, and may ultimately leave many members of those classes dangling from lampposts. Awarding multibillion-dollar bonuses to bank executives when their banks are losing money and most Americans are going broke is, shall we say, not a strategy with a long shelf life. It may be possible for a while to insist that all that money is going to trickle down and create jobs, but when the jobs don’t appear—and they won’t, because diverting money from the productive economy of nonfiscal goods and services to the unproductive economy of high finance is an effective way to cause jobs to be lost rather than gained—that claim isn’t going to hold up well.
John Kenneth Galbraith’s comparison of the American political class to the French aristocracy on the eve of the Revolution thus may yet turn out to be even more prescient than Galbraith thought. That America’s privileged classes don’t see this coming is another example of the way thaumaturgy recoils on its practitioners: decades of public relations meant to justify the parasitic habits of the finance sector have produced generations of financiers who believe implicitly in their own propaganda. Thus they’ve been repeatedly blindsided by the failure of the economy to conform to their beliefs, and it doesn’t seem likely that they’ll do any better when the stakes in the game change from money to blood.
[ArchDruid Greer's been on a magic bender for the last few months - not wand-waving magic, but discussing how to influence people's unconscious minds with thaumaturgy and theurgy.]