MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop
MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
The kids are finally asleep. Charlotte Hill* looks like she could use a good nap, too. She wearily blows a strand of auburn hair off her face. The toddler-induced fatigue, the small-liberal-arts-college degree—Hill could be an early-thirties Anymom. Until she starts talking about work. “My first shooting—some kid got shot. I think he died. Did he die?” Hill pauses, thinks. So many bullets, so many bodies in eight years as a city cop. “It was winter, but no snow. It was like ten at night, he got shot in the arm, and then the shooter had run back into the projects. The lieutenant just went crazy on us: ‘You guys fucked up the crime scene!’ Apparently we were all stepping on the shell casings. But the thing is, nobody had trained us!”
The blood didn’t bother her, and she gradually figured out the procedural stuff. But that first shooting was an introduction to dysfunction. “It’s just such a highly punitive and numbers-driven job, and it’s gotten infinitely worse over eight years,” Hill says. “You’re giving me a psychological test and sending me through an academy so I can learn how to have good judgment—and now you don’t want us to have any judgment. Every message is that the department doesn’t trust us. When a cop is out sick, we have to call in if we’re going to the doctor during our shift hours. I’m not kidding. And then they want to know why cops act like children.”
Hill wasn’t naïve when she joined the force: She’d grown up in a major city and understood that Police Department culture is about rank, discipline, and rules, and that the job often means dealing with nasty, even evil people. But as she’s become a skilled foot soldier, part of the rank and file that has strung together an extraordinary decade of declining crime statistics while foiling terrorist plots, Hill has grown uneasy about the dehumanizing cost of keeping the city safe. “You don’t realize how much everyone is going to hate you,” she says. “At least where I work now, people look at you and go, ‘I fucking hate you.’ And I go, ‘I fucking hate you, too.’ And then we move on. I have a harder time with overeducated, moneyed people. When I work on the Upper East Side, or in Downtown Brooklyn, people just talk down to you. We don’t feel supported by the courts, we don’t feel supported by the department. I think everyone would say they love being a cop”—she laughs ruefully—“and they hate being in the NYPD.”