Donal: Is Occupy Over?
Ramona's Piece de la Resistance (Including Pics of Obama, Romney, FDR)
dagblog To Give Away Logoed Hairshirt To Most Effective Lamenter Of Left's Ineptitude
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Donal: Is Occupy Over? Ramona's Piece de la Resistance (Including Pics of Obama, Romney, FDR) dagblog To Give Away Logoed Hairshirt To Most Effective Lamenter Of Left's Ineptitude |
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The so-called ‘Father of the Egyptian Revolution’ was the shy and relatively unknown former peace activist now turned orchid-grower Gene Sharp. Now 83, Sharp is slowing down, but is about to publish another book, and must marvel at the success his writings on nonviolent revolution and especially “From Dictatorship to Democracy,” which was used as an overarching guide to revolutions, both successful and failed, around the world, including Serbia, Myannmar, Burma, Tunisia, Egypt and different of the color and blossom revolutions. A Wikileaks cable said a year ago that Syrian dissidents were training with Sharp’s work.
He has been the object of various smear campaigns by autocrats including Hugo Chavez and top Iranian officials, one of which included a cartoon video portraying Sharp as a CIA agent teaming up with John McCain and George Soros to overthrow Iran’s government. (grin)Sharp had studied Gandhi and Thoreau and subscribed to their notions that: (from the NYT)
”… power is not monolithic; that is, it does not derive from some intrinsic quality of those who are in power. For Sharp, political power, the power of any state - regardless of its particular structural organization - ultimately derives from the subjects of the state. His fundamental belief is that any power structure relies upon the subjects' obedience to the orders of the ruler(s). If subjects do not obey, leaders have no power.
In Sharp's view all effective power structures have systems by which they encourage or extract obedience from their subjects.
States have particularly complex systems for keeping subjects obedient. These systems include specific institutions (police, courts, regulatory bodies) but may also involve cultural dimensions that inspire obedience by implying that power is monolithic (the god cult of the Egyptian pharaohs, the dignity of the office of the President, moral or ethical norms and taboos). Through these systems, subjects are presented with a system of sanctions (imprisonment, fines, ostracism) and rewards (titles, wealth, fame) which influence the extent of their obedience.
Sharp identifies this hidden structure as providing a window of opportunity for a population to cause significant change in a state. Sharp cites the insight of Étienne de La Boétie, that if the subjects of a particular state recognize that they are the source of the state's power they can refuse their obedience and their leader(s) will be left without power.”
The nonpartisan group International Center on Nonviolent Conflict had gone to Cairo a number of years ago and taught tactics from Sharp’s 198 Methods of Nonviolent Action. Now famous activist Dahlia Ziada attended the workshops, tailored flash scenarios to her imaginings, and communicated them widely through Facebook.
They followed Sharp’s dictate that non-violence is best pragmatically, as any violence provokes autocrats to crack down, and “If you fight with violence,” Mr. Sharp said, “you are fighting with your enemy’s best weapon, and you may be a brave but dead hero.”
Followers have learned that every autocrat or powerful entity has weaknesses; they provide an opportunity for skewering them with either humor, fact, or outrage, or sometimes all twined together.
Of the 198 tactics listed at Sharp’s A[lbert]Einstein website, some included are: protest parades with flags, lights or symbolic colors, mock funerals, skits and plays in public, walk-outs, vigils, displays of protest art, protest singing, picketing, mock awards ceremonies, leaflets and pamphlets at events, symbolic reclamations of institutions, public disrobing (assumedly as symbolic of suffering or casting-off of oppression)…
So that’s the background. Now: US Uncut is encouraging and coordinating Flashmob actions around the nation; they seem to have riotous fun delivering their messages. They really want to let you know that if an action isn’t planned in your area, MAKE IT HAPPEN! The sky would be the limit, but I do love the production numbers with song and dance, which would obviously take some writing, rehearsal and musicians. But think of the community-building that would occur during the efforts. There are other youtubes, but this is the most recent one from San Francisco at our favorite bank: Bank of America. Cue the production (hope you enjoy it):
(cross-posted at My.firedoglake)
Perceptive Dagblog readers know the difference between Obama, Romney and Bush:
Obama NYT today: .how President Obama’s thinking about what he once called “a war of necessity” began to radically change less than a year after he took up residency in the White House....The aide told Mr. Obama that he believed military leaders had agreed to the tight schedule to begin withdrawing those troops just 18 months later only because they thought they could persuade an inexperienced president to grant more time if they demanded it. “Well,” Mr. Obama responded that day, “I’m not going to give them more time.”...Mr. Obama concluded in his first year that the Bush-era dream of remaking Afghanistan was a fantasy...
Mitt Romney, Feb. 2012 : LAS VEGAS -- LAS VEGAS -- Republican presidential candidate Mitt Romney on Wednesday night blasted President Obama and his administration for “putting in jeopardy” the nation’s military mission by signaling it hopes to end its combat mission in Afghanistan by the middle of 2013.
Appearing at a campaign rally here shortly after landing in Nevada, Romney said Defense Secretary Leon E. Panetta’s statement Wednesday that U.S. forces would transition from a combat mission in Afghanistan next year “makes absolutely no sense.”....
George W. Bush, from May, 2003: BBC - "We do not know the day of final victory, but we have seen the turning of the tide... Free nations will press on to victory,"
Bush Afghanistan strategy : Gen. Douglas E. Lute, who had spent the last two years of the Bush administration trying to manage the many trade-offs necessary as the Iraq war consumed troop and intelligence resources needed in Afghanistan, arrived with a PowerPoint presentation. The first slide that General Lute threw onto the screen caught the eye of Thomas E. Donilon, later President Obama’s national security adviser. “It said we do not have a strategy in Afghanistan that you can articulate or achieve,” Mr. Donilon recalled three years later. “We had been at war for eight years, and no one could explain the strategy.”
Mitt Romney isn’t very far into the vice presidential selection process. But according to a dedicated band of conspiracy theorists, the pick is all but a lock: Sen. Marco Rubio.
That’s the current thinking among a worldwide collection of activists who are obsessed with the secretive Bilderberg Group, an alternating roster of global power players who loom as large — if not larger — in the online fever swamps of the fringe as the Trilateral Commission or the Council on Foreign Relations.
Read more: http://www.politico.com/news/stories/0512/76518.html#ixzz1vN5egowz
Aristotle and Plato didn’t agree on much, but they were united in identifying wonder as the origin of their profession. As Aristotle said, “It is owing to their wonder that men . . . first began to philosophise.” This idea appeals to scientists, who frequently enlist wonder as a goad to inquiry. “I think everyone in every culture has felt a sense of awe and wonder looking at the sky,” wrote Carl Sagan in 1985, locating in this response the stirrings of a Copernican desire to know who and where we are.
Yet that is not the only direction in which wonder may take us. To Thomas Carlyle, wonder sits at the beginning not of science, but of religion. That is the central tension in forging an alliance of wonder with science: will it make us curious, or induce us to prostrate ourselves in pitiful ignorance? We had better get to grips with this question before we too hastily appropriate wonder to sell science. That is surely what is going on when pictures from the Hubble Space Telescope are (unconsciously?) cropped and coloured to recall the sublime iconography of Romantic landscape painting, or the Human Genome Project is wrapped in biblical rhetoric, or the Large Hadron Collider’s proton-smashing is depicted as “replaying the moment of creation”. The point is not that such things are deceitful or improper, but that if we want to take that path, we should first consider the complex evolution of the relation between science and wonder.
[....]
Pretending that science is performed by people who have undergone a Baconian purification of the emotions only deepens the danger that it will seem alien and odd to outsiders, something carried out by people who do not think as they do. Daston believes that we have inherited a “view of intelligence as neatly detached from emotional, moral and aesthetic impulses, and a related and coeval view of scientific objectivity that brand[s] such impulses as contaminants”. It is easy to understand the historical origins of this attitude: the need to distinguish science from credulous “enthusiasm”, to develop an authoritative voice, to strip away the pretensions of the mystical Renaissance magus who acquired knowledge through personal revelation. We no longer need these defences, however; worse, they become a defensive reflex that exposes scientists to the caricature of the emotionally constipated boffin, hiding within thickets of jargon.
... We’re trying to harness photosynthesis. A key part of photosynthesis is what happens when the sun goes down. Cells convert CO2 into sugar and fat molecules. And they store the fat to burn as energy to get them through the night ... We’re trying to coax our synthetic cells to ... store far more fat than they actually were designed to do, so that we can harness it all as an energy source and use it to create gasoline, diesel fuel, and jet fuel straight from carbon dioxide and sunlight. This would shift the carbon equation so we’re recycling CO2 instead of taking new carbon out of the ground and creating still more CO2. But it has to be done on a massive scale to have any real impact on the amount of CO2 we’re putting into the atmosphere, let alone recovering from the atmosphere.
... We envision facilities the size of San Francisco. And 10 or 15 of those in this country. We need sunlight, seawater, and non-agricultural land, but you need a lot of photons to drive this. You need a lot of surface area of sunlight to do that. It’s a great use for Arizona. Lots of sunlight there.
... If we can’t get some key scientific breakthroughs within the next couple of years, it probably won’t happen in 10 years. So it’s something that’s really dependent on fundamental science. But we’re already able to do things that were once seen as impossible.
... I think the new anti-intellectualism that’s showing up in politics today is a symptom of our not discussing these issues enough. We don’t discuss how our society is now 100 percent dependent on science for its future. We need new scientific breakthroughs—sometimes to overcome the scientific breakthroughs of the past. A hundred years ago oil sounded like a great discovery. You could burn it and run engines off it. I don’t think anybody anticipated that it would actually change the atmosphere of our planet. Because of that we have to come up with new approaches. We just passed the 7 billion population mark. In 12 years, we’re going to reach 8 billion. If we let things run their natural course, we’ll have massive pandemics, people starving. Without science I don’t see much hope for humanity.
I have been following the Flash Mobs for a while and they can be very effective when pulled off with skill. One of the things I noticed about those that impressed me was that they were or appeared to be completely spontaneous. That those involved do not stand out initially at all but appear to be just part of the crowd.
Street theatre, which this is, is the most difficult to do well. It does not require much talent just very good organization and planning. Since you have no change to rehearse in the chosen venue. But if you are successful, you not only leave an impression but may also have a number of people join in which is even better.
A good thing to do is to pick as your performance something, a song or part of a play etc., that is already familiar to you audience.
Personally I would love to do the rag pickers speech from The Madwoman of Chaillot and perform it in front of a big Stock Brokerage Firm.
Cool idea, C. But as I said, I picture rehearsals, too, and others can join in with a core group. We used to do christmas caroling like that. But it would seriously build relationships to get together in advance, maybe write song parodies that were easy to remember. Or even some cue cards.
Some drumming could be cool, too, with poetry or satiric diaogue. Damn; it's the sort of thing I would have loooooved to get together. Facebook could act as promoters, or ads on craigslist. Gets me psyched just imaging the possibilities!
Hummm...could you play Countess Aurelia ?
"They have all the power and all the money and they're greedy for more."
"They're greedy ?"
"Yes countess"
"If they're greedy, they're stupid. If they're greedy they're lost. If they're greedy...leave them to me."
Could you add some swordplay? ;o)
You could adapt these lyrics and choregraph it; you could even find a yodeler>>>
That would be a start. But one thing you want to do is not to hit people over the head with it. You want to draw your audience in. So they have fun and/or are touched by the performance. Get them on your side.
Huey Long was immensely popular before he was killed and quite likely would have beat FDR in the 1936 election. But even though his message was quite radical for the time (and even now) his presentation was one that drew people in. And the republicans and democrats hated him because they had nothing to counter it with, without looking like fools themselves. Which of course would play right into his hands.
A performance that gets the message across with wit and humor and feeling and humility. And one that anyone can relate to easily.
Political activism has a long and strong history in the theatre. See Shakespeare and Jean Giraudoux . Among others.
Just horsing around about the Soggy Bottom Boys, but rambunctious tunes, or well-known ones, call and response...shoot, in Egypt they used bloody footprints to denote Mubarak. I suppose any group could pick a chosen victim, like in Britain, Vidaphone (?) maybe it was, and tailor a message.
I do agree that drawing folks in with wit is good, humility, though, I don't understand. I sure love the humor/satire angle though; it keeps even the police off-balance that way, and tha't's important. I don't see that a play could work just because people would be walking by and stop in most cases.
The ones scheduled next week are often at 4:30, and I guess the thinking is attracting people getting off work.
I got the burning eyes tonight and need to take a break. thanks for the ideas: I hope you gather some folks and get one going, C.!
I think what C means by humility could also be called subtlety. If you're trying to get a message across, you have to start out assuming perhaps half your audience doesn't instinctively agree with you. You have to lure people with the entertainment quality of your performance to stick around long enough to catch on. Think Pete Seeger, Woody Guthrie.
Pique people's curiosity, maybe. Thanks, canuckistan. ;o) Sure widh I could organize one.
I think one of the best of these I heard about was when some religious group was doing a protest march and a group of people decided to do a counter march and they all dressed up like the monks in that one Monty Python bit and did the whole scene just like from the movie. Even the exact chants. It just drove the religious clowns nuts. The religious people quit their march and all the onlookers thought it was great. I wish I could have seen it. It must have been hilarious.
Wasn't that demonstration in answer to Westboro folks? I was looking at Monty Python sketches for the Complaints Dept. one, thinking if it could be adapted for a group.
This one's UK Uncut:
It might have been. Seems to me it was on the west coast somewhere. Anyway a couple of years ago or something.
This the Showdown in America group in May 2010, demonstrating early on against the banks, and featured on Bill Moyers Journal:
Well the above is more a protest march than what I would cal a Flash Mob. I am no so sure about protest marches though. Unless you are committed to do it for days at a time, they are far to easily ignored and marginalized I have been in my share of protest marches.
A smaller well organized group showing up at some well established place and doing their thing every weekend would be much better, I would think.
Oopsie; operator error.
This is sorta fun, and an honor to Gene Sharp and the Uncut folks; FDL front-paged this diary hours after it had slid off the my.fdl list into obscurity.
http://firedoglake.com/
http://my.firedoglake.com/wendydavis/2011/04/22/uncut-flashmobs-undermin...
Just FYI, the thread over yonder had its detractors, especially concerning Sharp's Albert Einstein Insitute. Kisses frogs provided links to Z mag and other writers who say that even the Intl. Center for Nonviolent Conflict have been so coopted by corporate money that they are ineffectual at best, arms of Imperialism at worst. Fuck if I know, or whether or not Sharp's advice should just stand on its own.
Anyway, some folks were jazzed by the simple ideas and humor of flashmobs, and what they might build toward, both in community for larger actions, and demonstrating that power is ceded to authority by many means that we can change.
The arguably biggest cynic at the Lake was excited; it was pretty fun to see. The front-page comments are often cynic-outdoing-cynic in snark, one-offs. The attorney diarists there get more thoughtful and useful commentary and link-homework, so some long and considered comments on the thread were heart-warmingly hopeful to a DFH like myself. ;o)
Here is another good site as well.
http://dissentingdemocrat.wordpress.com/
Yeah; lotsa good links. Thanks. Gads, I used to have a file of activist populist organizations, but it appears I've mislaid it... Used to get smacked around some at the Cafe for posting demos and such; go figure. ;o)
always loved that song:
Yea, Dick. Cuz what we all love about this video is ... the song.
;0)
Kinda wondered what he connected this song to; not to 'fight the power structure' flashmobs. Just more er...Dick Fantasies....but nice interlude, DD. But no fucking way you get an award. ;o)
(I loathe pop.) ;o)
Pop goes the weasel. hahahahaah
Happy Ten Commandments Day, Dick. Knock yerself out!
(Not I am leaving it full-sixed for you.)
I gotta tell ya, I was so moved by this old song, I tabbed it so I could listen to it while I responded!
This is so delightful. I'm speechless and usually irrelevant anyway. ahahahahah
Fantastic dancers, too -- oof! The videos with the soundtrack in synch were all 'video embed withdrawn' or whatever. Glad you liked it; me too. ;o) And try not to remember the images of Swazey dancing Baba Wawa on her special...
I can admit it all now, cause i could give a good shite about peer acceptance...
But when I saw this scene I went nuts. I was emotionally lifted.
Of course, after i thought about it, I mean what the hell did the welder have to do with the 33?
And I had to recall that Hepburn had little to do with Shaw's musical. hahahahahah
Great song, Dick. I was touched. ;-)
A relative told me about the following "flashmob" incident which he witnessed; Previous to that he had never heard of the term. I googled and found the reporting on it.
http://laist.com/2011/04/18/venice_boardwalk_shooting_happening.php
He often goes to Venice Beach to play pick up basketball. He saw the hundreds of what he thought were clearly gang members milling about, felt the scary tension in the air, asked a cop what was going on, who said it was a flashmob set up by gangs. He heard the gunshot and saw the scattering described:
http://laist.com/2011/04/18/venice_boardwalk_shooting_happening.php
Which made me realize flashmobs are just a tool like any other, which can be used for good or ill. Since flashmobs are relatively new, we have mostly seen the good, the harmless and the political protests. It all seems innocent enough now. But things may not stay that way, a mob is after all, a mob, and cannot be easily controlled once formed. And then I wonder how law enforcement is going to deal with that. Either rely on snitches to report or, like in China, attempt to monitor most everything. It also made me think of how the protest against Koran burning in Afghanistan that ended up with dead UN employees was formed just like a flashmob, they just didn't need any text messages to do it, they instead had word of mouth during Friday services.
Last-minute dance-and -music Raves were all done by text-message and social networks, too. In this case, the hint might have been the basketball court location, the known gang members, etc. Kinda different than a group of 20 or 40 in front of a bank or corporate headquarters at 4:30, when employees are getting off work, maximizing exposure. And in most case, the fun music, laughter and pamphleting probably separate the Uncut kind from the Gang kind. But yes, one commenter at fdl mentioned the probability of infiltrators; but then, who'd care? It's all legal. Though some in the UK were arrested, and it's not clear why.
It's always nice if anarchists stay the hell away from demos. IMO. Can't figure them out, really, unless they are so bored and spoiled they need to feel powerful through throwing things through plate glass or something.