MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
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MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
By J Hoberman, New York Review of Books Blog, Sept. 5, 2012
[....] the Dinesh D’Souza political documentary 2016: Obama’s America was the second-highest grossing movie in America the week that it opened in late August—timed to coincide with the Republican National Convention—and is now among the top ten highest earning documentaries in history. Mightily promoted by right wing talk radio hosts, 2016 had crossed over in a way that the distributor Rocky Mountain Picture’s previous release Atlas Shrugged: Part 1 did not; perhaps this was because, rather than fleshing out allegorical fiction, 2016 was concerned with the Manichean struggle happening today [....]
I sought out 2016 on Labor Day afternoon at the Regal Union Square in Manhattan (after the movie had been mysteriously pulled from the Village East on Second Avenue) to learn more [....]
Comments
I consider the review to be incomplete and stilted. Of course, since I haven't read other reviews by Hoberman, the format may be his chosen shtick for reviews.
What it did was motivate me to obtain a bit of background info on the writer of this story.
After a bit of research, it's safe to state that to label D'Souza as a right wing conservative is akin to describing hundred plus degree weather as being a bit warm.
No matter whether conceived by touted liberals or conservatives, I abhor these types of productions where the aim is solely to serve as a tool to deliver a distorted and derisive piece of fiction as a probable truth scenario to install rabid fear and distrust.
Thankfully Wiki included this too:
Per Wiki:
by Aunt Sam on Sun, 09/09/2012 - 1:17pm
From the NYRB site I learned that Hoberma, is the senior film critic at The Village Voice (by clicking on his name.)
I didn't know that, and even before I did, I didn't think this essay for NYRB blog was meant as a standard film review. It didn't read to me like it was intended to be one. That's not something that the NYRB is known for offering. If he wanted to do one, he has his own venue to do so.
In any case, I posted this because I was not even aware that the film had been made much less that it was being promoted by right wing talk shows, and as Hoberman says in the essay that it has been quite popular, others might be in the same situation as me. In that it could explain where certain anti-Obama memes that one might hear come from.
As far as Dinesh D'Sousa, I would say that anyone who is interested in the selling of conservative ideology in this country, for whatever reason, should make themselves aware of the nature of his work if they aren't. He's been pretty prominent in those circles for quite some time.
by artappraiser on Mon, 09/10/2012 - 3:43am