MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop
MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
By Martin Fackler, New York Times, Feb. 6, 2014
[....] His deafness won him praise as Japan’s modern-day Beethoven.
It turns out his magnum opus was his own masquerade.
On Thursday, Japan learned that one of its most popular musical figures, Mamoru Samuragochi, 50, had staged an elaborate hoax in which someone else had secretly written his most famous compositions, and he had perhaps even faked his hearing disability [....]
Comments
Ghost writers in the sky-with diamonds.
This reminds me of a time when I had read a couple of Harlan Ellison short stories which I thought were very good. I went on to read several collections of his stories. Many/most were very poor, IMO. I realized that I could probably write a story that would be published somewhere if submitted by Ellison [big time exaggeration to make a point] but also that some of his better stories would be rejected if submitted by me.
Will the songs which were enjoyed by so many be forever tainted or will Mr. Niigaki's talent now be recognized amid the anger at Mamoru Samuragochi? Might his songs be judged like counterfeit works of art which pretended to be by someone famous and that took all the talent of the counterfeited artist plus the technical skill to fake the age and yet went from highly valuable to worthless the instant their true origin was discovered?
by A Guy Called LULU on Thu, 02/06/2014 - 3:12pm
The story certainly reminded me of more than a few renowned conceptual art and performance art pieces, running from Duchamp's ready-mades to some of Banksy's recent antics. Which, among other things, were always intended to raise the question "what constitutes an original work of art, the idea or the making process? I.E., Warhol or Koons does not actually make their own art, they have studio assistants to do that. Here, how much of this act, enjoyed by so many fans, was because of the whole Samuragochi persona, and how much was because of the actual music by Niigaki? (One could raise the topic of the duo Milli Vanilli here, but I'd rather not go there. )
This whole ball of wax is why the legal field of "intellectual property" is not just about money, though that is the major part of it. What judges rule on the issue also affects the philosophy of art itself.
by artappraiser on Thu, 02/06/2014 - 4:08pm
Go rent F For Fake by Orson Welles some time.
by Peter Schwartz on Sat, 02/08/2014 - 9:00pm