MURDER, POLITICS, AND THE END OF THE JAZZ AGE
by Michael Wolraich
Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop
MURDER, POLITICS, AND THE END OF THE JAZZ AGE by Michael Wolraich Order today at Barnes & Noble / Amazon / Books-A-Million / Bookshop |
There is no single quote I can pull from this to do it justice - 'cause it is so worth the read.
Comments
Brilliant speech. People were complaining about him not playing on stage, but probably if he'd played, they would have ignored his talk. Bob knows what he's doing, even the latest kerfluffle people had when he said billionaires should take care of the problems, leading some misguided ones to think he'd become a neocon. Pains me when people are that fickle about genius - when someone brilliant says something controversial, it's time to listen closer, try to understand, not walk away.
by PeraclesPlease on Mon, 02/09/2015 - 12:34am
Since he was being honored as MusiCares 2015 Person of the Year at a gala that was part of the Grammy awards, anyone expecting him to perform didn't understand the event. There were many notable performers there to laud him with song, including Beck and Bruce Springsteen, but by all accounts his speech stole the show.
As for the rest ... Dylan's never been adverse to a good kerfluffle.
by barefooted on Mon, 02/09/2015 - 2:03am
I thought I would post some of the music and singers he was talking about that many of you may not know. He said he was grateful for the help they gave Billy Lee Riley. I was in the fourth grade when this came out. My older brother had the 45 of this song "Red Hot."
by trkingmomoe on Mon, 02/09/2015 - 2:25am
Bill Broonzy made this song famous but was not the first to record it. A friend of his Jazz Gillum recorded in the 1930's who was harmonica player with Bill Broonzy on the guitar. Gillum was the first to make it into a 8 bar blues. When you hear these 2 recordings, you will see why this was such a big influence on Dyland's style. This old Blue Bird 78 was in my Uncle's old collection of records and he loved this song and would play it when I was little. I had fun looking this one up because I thought it was Jazz Gillum who made it famous. I had not thought about that record collection in years.
by trkingmomoe on Mon, 02/09/2015 - 4:44am
God, I LOVE all of these old recordings!! I used to sit in my room and play all of my parents' old 78's. Wonderful stuff! Thanks trkingmomoe for sharing these gems.
by MrSmith1 on Mon, 02/09/2015 - 3:57pm
Yes those wonderful RCA Victor, Columbia, Decca, Brunswick, Oriole, Paramount and Blue Bird recordings. There were others but I can't think of them.
Some more of Dyland
by trkingmomoe on Mon, 02/09/2015 - 7:00pm
Arthur Fields recorded "Floyd Collins' Fate" in 1927. He was the first white singer to be backed by African American musicians. He preformed many times in mistrial shows "black faced." which was popular in the first quarter of the 20 th century. Bob Thomas was one of his stage names. Floyd Collins died in a cave in 1925.
by trkingmomoe on Mon, 02/09/2015 - 3:20am
"Deep Ellum Blues," is another song that has it's roots in early jazz. There was a black business community on Elm Street in Dallas, Tex. It had a wonderful night life of jazz clubs in the 1920's. Instead of saying going down to the end of Elm Street, the locals shortened it to "going deep ellum." Here is one of the early recordings of it but the lyrics are a little different from the 1920's. Many famous jazz bands recorded this during the 30's and was danced to as a fox trot. I chose the Grateful Dead version of it because it sticks with the melody and has the modern lyrics to it.
Herb Wiedoeft Dallas "Deep Elm"
by trkingmomoe on Mon, 02/09/2015 - 3:53am
John Henry (The Steel Driving Man) also has its roots in early blues. Walter Lee "Furry" Lewis was a very famous jazz guitarist who grew up in Memphis. By the time he was fifteen he was playing in taverns and parties. He recorded this when he was 35 years old in 1928. He was known for the delta blues sound.
by trkingmomoe on Mon, 02/09/2015 - 4:33am
This is a European Band called the Zipps from the mid 1960's. They copied the style from Bob Dylan performance of "Roll The Cotton Down." They never caught on in this country and they are still together playing.
by trkingmomoe on Mon, 02/09/2015 - 4:59am
What a wonderful idea, momoe, thank you!
by barefooted on Mon, 02/09/2015 - 3:11pm
THIS IS WONDERFUL!
DAMN!
I of course, got into his first albums, including Blond on Blond and Highway 61 Revisited...
And I hope this does not sound trite....
But as a kid in his new teens, the AM menu on the radio just would catch 2 minutes of a song and all of a sudden (before FM) here was a long, long song that is silly as I perceive it now although metaphors were present of course, I mean who is Dylan without metaphors?
WHERE IN THE HELL DID HE COME UP WITH THIS STUFF?
Well Johnny Cash and a host of others like he said.
It brings tears to my eyes.
But I am an old man now and tears come much more easily!
by Richard Day on Tue, 02/10/2015 - 2:58am
Great speech; Glad he did it; Good timing on his part as a settling of accounts.
I particularly like the way he described his lyrics as an inevitable result of singing certain songs over and over again.
by moat on Tue, 02/10/2015 - 8:27pm