By Edward Wong, Sinosphere blog @ nytimes.com, Nov. 22, 2013
[...] One clue to the film’s fate has come in the form of a recent leaked directive from the Communist Party’s Central Propaganda Bureau. It ordered Chinese journalists not to write or comment on the film. Earlier, there had been a wave of coverage of Mr. Jia in both the domestic and foreign news media as “A Touch of Sin” drew attention at film festivals in New York, Toronto and elsewhere. It had its world premiere last May at the Cannes Film Festival, where Mr. Jia was awarded the prize for best screenplay [....]
Mr. Jia is the most celebrated maker of art house films in China, and his movies present a dark vision of the country, both of its recent history and forward direction. Perhaps none is bleaker than “A Touch of Sin,” which depicts, through four connected stories, a China wracked with violence because of economic inequities and political corruption.
In the first story, for example, a frustrated miner in Shanxi Province, played by Jiang Wu, the younger brother of the prominent filmmaker Jiang Wen, goes on a shooting rampage against local party officials and the mine owner [....]